Face\Off Page #21

Synopsis: Obsessed with bringing terrorist Castor Troy (Nicolas Cage) to justice, FBI agent Sean Archer (John Travolta) tracks down Troy, who has boarded a plane in Los Angeles. After the plane crashes and Troy is severely injured, possibly dead, Archer undergoes surgery to remove his face and replace it with Troy's. As Archer tries to use his disguise to elicit information about a bomb from Troy's brother, Troy awakes from a coma and forces the doctor who performed the surgery to give him Archer's face.
Genre: Action, Crime, Sci-Fi
Production: Paramount Pictures
  Nominated for 1 Oscar. Another 11 wins & 21 nominations.
 
IMDB:
7.3
Metacritic:
82
Rotten Tomatoes:
92%
R
Year:
1997
138 min
1,778 Views


JAMIE:

You mean like ... condoms?

CASTOR:

I mean like protection.

With a fluid motion, CASTOR expertly snaps open a well-

oiled BUTTERFLY KNIFE and hands it to an astonished Jamie.

JAMIE:

For me?

Castor's surprised, flustered as Jamie tearfully hugs him.

CASTOR:

-- Now, uh, brush your

bed and go to teeth --

it's a school night.

JAMIE kisses him and heads up stairs. After she's gone ...

CASTOR (cont'd)

Jesus, Jon, how did you

deal with this family sh*t?

The phone RINGS. He rushes to the den and picks it up.

CASTOR (cont'd)

Jon Archer.

(immediately alert)

Where is he?

EXT. STREET -- NIGHT

POLLUX TROY is half-hidden in the shadows, peering into an

underground parking structure.

POLLUX:

(into cellular)

-- Some condo complex on

Telegraph Hill. I played

a hunch he might contact

an old friend of yours ...

POLLUX'S P.O.V. -- THE GARAGE

SASHA helps a half-conscious ARCHER toward the elevator.

EXT. NSA MARSHALING AREA -- NIGHT

Dressed and armed for battle, the NSA assault team is

loading into a variety of waiting vehicles.

CASTOR arrives, dressed in standard-issue black squad suit

and flak vest. BUZZ tosses CASTOR a machine-pistol as he

climbs aboard the lead vehicle. The convoy moves out.

INT. SASHA'S CONDO -- NIGHT

ARCHER'S eyes open ... he snaps awake. SASHA is stitching

up his cleaned wound.

ARCHER:

Where am I?

SASHA:

My place.

ARCHER:

You shouldn't have brought

me here ... it's dangerous.

SASHA:

Better than you bleeding

all over my car upholstery.

Trust me, Caz, you won't

be here long.

With a flourish of her extravagant nails, Sasha finishes up

the stitches -- a passable sewing job.

ARCHER:

I hear you're a manicurist

now -- got your own business

and everything. I'm glad

you've stayed clean.

SASHA:

Like I had a choice with

that anal-retentive Jon

Archer rising my ass at

the probation hearing.

(shrugs)

At least he took an interest.

You took off without leaving

so much as a Post-it.

ARCHER:

I'm not the same person

you remember.

She studies him with her sharp, intelligent eyes -- eyes

which soften dramatically as she smiles for the first time.

SASHA:

Take the rest of those

filthy things off.

I'll be right back.

SASHA disappears into a back bedroom. ARCHER looks out the

window -- the street's clear. He sits down, unties his

trash-dumpster shoes. He touches his shoulder -- it hurts.

SASHA (cont'd)

(entering)

You're still dressed.

She puts down a pile of men's clothes and starts to loosen

his belt. She stares deep in his eyes.

SASHA (cont'd)

You really have changed,

haven't you?

ARCHER:

More than you'll ever know.

Gently, tenderly, she moves closer and kisses him on the

mouth. She lingers as Archer carefully pulls away.

ARCHER (cont'd)

-- Can we just talk?

SASHA:

(amused)

Talk? The only talk I ever

heard from you was "take

it off," "sit on it," "I'll

see you around."

He backs off -- as something catches his eye. A sleepy

LITTLE BOY (5) is standing in the bedroom doorway. He

watches curiously as Archer buttons up a fresh shirt.

ARCHER:

Perfect fit.

SASHA:

Should be. It's yours.

Awkward silence as Archer dresses. The boy comes over

shyly, climbs into Sasha's lap. Archer's self-conscious.

ARCHER:

Nice-looking kid.

SASHA:

Of course he is ...

(very uneasy)

-- He's yours too.

EXT. SASHA'S CONDO -- NIGHT

Their SILHOUETTES are visible against the shades. Suddenly

a TETHERED SURVEILLANCE DRONE whirs up to the second-story

window -- scanning the building.

EXT. ROOFTOP ACROSS -- NIGHT

CASTOR, BUZZ, WANDA and LOOMIS peer at the drone's THERMAL-

VIDEO FEED of the silhouettes in Sasha's apartment.

CASTOR:

(into cellular)

We've got him sighted.

Okay, Pollux, pull out.

BUZZ:

What makes you so sure

this guy's gonna set up

his own brother?

CASTOR:

I've never been more

certain of anything.

Get everyone in position.

-- And get the word

out -- shoot to kill.

Buzz starts to object -- but Castor's steely eyes say

"don't argue -- that's an order."

BUZZ:

You heard the Commander

-- let's saddle up!

Buzz and Wanda move off -- leaving Loomis with Castor.

INT. SASHA'S CONDO -- NIGHT

SASHA leads the shy boy to his "father." Archer's stunned.

SASHA:

Go on, Adam ...

(a beat)

I'm not asking you for

anything -- I was never

even going to tell you.

But hell, I never thought

I'd see you again, either.

Rate this script:5.0 / 2 votes

Mike Werb

Mike Werb is an American screenwriter, whose writing credits include Face/Off, The Mask and the story for Lara Croft: Tomb Raider. A Los Angeles native, Werb attended Stanford. He is a UCLA Film School graduate. more…

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